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Fracture Lines XI

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Posted by Dr CLÉiRIGh
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Labels: Dark angular post-prog, King Crimson inspired guitar dissonance with post-punk driving bass, Mellotron textures, polyrhythmic drums, restrained male vocals, tense intellectual atmosphere
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Most Played This Week

  • Distance Holds Its Shape II
  • Compact Field Study (No Return II) II
  • Dual Drift Entanglement Field I
  • Industrial Night Signal I
  • Wire After Rain I
  • Compact Field Study (No Return) II
  • Slow Moving Field I
  • Nested Time Field (Phase 1–3) I
  • Administrative Weather II

Most Played This Month

  • C-Phase Syllabary II
  • Dual Drift Entanglement Field I
  • C-Phase Syllabary (Structured Cut) II
  • Pale Pulse Protocol II
  • Industrial Night Signal I
  • Glass Tides Under Violet Stations II
  • Pulse Grid 7 II
  • Spectral Glass in Slow Rotation II
  • Phonetic Glass in Drift Rotation II
  • Haze of Controlled Interference I

Most Played Overall

  • Daedalus: The Engine Dreams of Flight (Reconstructed) II
  • The Perfect Machine II
  • Fracture Lines I ***
  • Fracture Lines II ****
  • Iron Pulse II *
  • Breath Loop I*
  • Fracture Lines [Instrumental] I
  • Iron Pulse I
  • Hephaestus: The Forge of Sound I *
  • The Electric Muse I*

My Favourites

  • Breath Loop I
  • Dawn of the Signal II
  • Electric Shadows (Industrial Version) II
  • Electric Shadows I
  • Electric Shadows II
  • Fracture Lines I
  • Fracture Lines II
  • Ghosts in the Chrome II
  • Gravity Beneath My Skin I
  • Gravity Beneath My Skin II
  • Hephaestus: The Forge of Sound I
  • In the Hollow Sun I
  • In the Hollow Sun II
  • Iron Pulse II
  • Luminal Silence II
  • Mirrors In Slow Motion I
  • Shadow Machinery II
  • Shiva: Dance of the Engine I
  • Shiva: Dance of the Engine II
  • Signal Duet II
  • Signal Stays I
  • Silicon Remains I
  • Static Crown I
  • Static Crown II
  • Static Crown (Rewired) I
  • Static Crown (Rewired) II
  • Static Mercy II
  • The Electric Muse I
  • The Perfect Machine I
  • The Pulse Between The Lines I
  • Under the Static Veil II

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