Technemuse

The art of making with the machine

The Ground Has a Rhythm I

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Posted by Dr CLÉiRIGh
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Labels: Chamber recital, flowing piano, low percussive string rhythm, repeating ground, restrained tension, shifting accents
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Most Played This Week

  • A Voice Among the Patterns II
  • What the Pattern Was Saying II
  • The Order We Almost Hear I
  • Things Happening Behind the Pattern II
  • A Voice Among the Patterns I
  • When the Pattern Becomes Something Else II
  • The Order We Almost Hear II
  • Rising with the Sun I
  • What Was Behind the Music II
  • Jangling I

Most Played This Month

  • Things Happening Behind the Pattern I
  • The Pattern Changes Hands II
  • The Surface Becomes Deep II
  • Pressure Without Release II
  • The Surface Becomes Deep I
  • The Patterns Collide II
  • Things Happening Behind the Pattern II
  • No Centre I
  • The Pattern Refuses Its Shape II
  • Pressure in Slow Motion II

Most Played Overall

  • Daedalus: The Engine Dreams of Flight (Reconstructed) II
  • Fracture Lines I ***
  • The Perfect Machine II
  • Fracture Lines II ****
  • Breath Loop I*
  • Fracture Lines [Instrumental] I
  • Iron Pulse II *
  • Iron Pulse I
  • The Electric Muse I*
  • Signal Duet II*

My Early Favourites

  • Breath Loop I
  • Dawn of the Signal II
  • Electric Shadows (Industrial Version) II
  • Electric Shadows I
  • Electric Shadows II
  • Fracture Lines I
  • Fracture Lines II
  • Ghosts in the Chrome II
  • Gravity Beneath My Skin I
  • Gravity Beneath My Skin II
  • Hephaestus: The Forge of Sound I
  • In the Hollow Sun I
  • In the Hollow Sun II
  • Iron Pulse II
  • Luminal Silence II
  • Mirrors In Slow Motion I
  • Shadow Machinery II
  • Shiva: Dance of the Engine I
  • Shiva: Dance of the Engine II
  • Signal Duet II
  • Signal Stays I
  • Silicon Remains I
  • Static Crown I
  • Static Crown II
  • Static Crown (Rewired) I
  • Static Crown (Rewired) II
  • Static Mercy II
  • The Electric Muse I
  • The Perfect Machine I
  • The Pulse Between The Lines I
  • Under the Static Veil II

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